‘Designed by Apple in California’: Flop or Famous?

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Apple’s “Designed by Apple in California” dubbed a flop by many, is getting plenty of publicity. But not in the way Apple likely intended. The ad received a viewer score of 489 out of 900 based on the Ace Metric scale. This low-scoring commercial, compared to Apple’s 26 other ads this year, has created quite the buzz on Bloomberg, LA Times, Ad Age and various other sites.

Why the low score?

First, is it really a low score? The industry average is 542 making the Apple ad not far from status quo. By contrast, Apple’s most popular ads scored around 700. More importantly, Samsung’s commercials have been ranking above 600.

You might be surprised to know it wasn’t the company’s philosophy that viewers didn’t like; it was the lack of information and the sad tone to the commercial.

Apple is known for cutting edge technology. Perhaps viewers were disappointed that the commercial was focused on branding versus one of Apple’s new devices.

Why the change?

It’s a simple answer, really. If a well-known brand is losing market share to stiff competition and doesn’t have any new products to debut, what do you do? You do the branding thing in an attempt to energize your loyal fans with strong company values.

A secondary reason could be to remove any lingering bad rapport about Apple’s working conditions in China which was heavily criticized last year. Since then, the company has taken strides to move some production into the United States. This, coupled with a seemingly intentional shift in focus from manufacturing to design, is likely a major reason the brand went with “Designed by Apple in California.”

Flop or famous?

If the commercial’s goal was to draw attention away from Samsung’s new products and back to Apple, they got it. Just not in the way they intended.

Sometimes an attack on a much loved brand is exactly what is needed to energize loyal consumers. Keep in mind, low scores on ad surveys are not always indicative of consumer purchase patterns.

What are your thoughts on the commercial? Do you think this will hurt their new product launch coming up?

This guest post was written by Alicia Lawrence, content coordinator for WebpageFX and blogs in her free time at MarCom Land.

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‘Made by Apple in California’: Flop or Famous?

designed_apple_california.png

Apple’s “Designed by Apple in California” dubbed a flop by many, is getting plenty of publicity. But not in the way Apple likely intended. The ad received a viewer score of 489 out of 900 based on the Ace Metric scale. This low-scoring commercial, compared to Apple’s 26 other ads this year, has created quite the buzz on Bloomberg, LA Times, Ad Age and various other sites.

Why the low score?

First, is it really a low score? The industry average is 542 making the Apple ad not far from status quo. By contrast, Apple’s most popular ads scored around 700. More importantly, Samsung’s commercials have been ranking above 600.

You might be surprised to know it wasn’t the company’s philosophy that viewers didn’t like; it was the lack of information and the sad tone to the commercial.

Apple is known for cutting edge technology. Perhaps viewers were disappointed that the commercial was focused on branding versus one of Apple’s new devices.

Why the change?

It’s a simple answer, really. If a well-known brand is losing market share to stiff competition and doesn’t have any new products to debut, what do you do? You do the branding thing in an attempt to energize your loyal fans with strong company values.

A secondary reason could be to remove any lingering bad rapport about Apple’s working conditions in China which was heavily criticized last year. Since then, the company has taken strides to move some production into the United States. This, coupled with a seemingly intentional shift in focus from manufacturing to design, is likely a major reason the brand went with “Designed by Apple in California.”

Flop or famous?

If the commercial’s goal was to draw attention away from Samsung’s new products and back to Apple, they got it. Just not in the way they intended.

Sometimes an attack on a much loved brand is exactly what is needed to energize loyal consumers. Keep in mind, low scores on ad surveys are not always indicative of consumer purchase patterns.

What are your thoughts on the commercial? Do you think this will hurt their new product launch coming up?

This guest post was written by Alicia Lawrence, content coordinator for WebpageFX and blogs in her free time at MarCom Land.

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5 Ways Nonprofits Can Leverage Digital Asset Management

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in the nonprofit world, we strive to fund the causes we care about. And to do this, sometimes we need to think like a business–particularly with regards to branding.

In recent years, our sector has been using high volumes of digital materials to achieve strategic goals. Many of us are now swimming in servers of uncategorized photos, logos, PDFs, and videos. And many more of us are drowning in them.

There are times when we need to spend money to achieve engagement, awareness, and efficiency, and I argue that digital asset management (DAM) is one such expense.

Nonprofits brand, market, and advertise like businesses because that is how we raise awareness. And we have to do it well to stand out in an era of information overload. At our hospital, we’ve used cloud-based DAM to supercharge our marketing efforts. Over the past five years, the bump to efficiency, brand consistency, and collaboration have been immeasurable.

If you’re in the nonprofit world, here are five ways you can leverage digital asset management to amplify outreach.

1. Save time with self-service

We use photos, videos, logos, graphic standards, and branded templates for outreach. This adds up to a colossal number of files–5,867 to be exact.

Pre-DAM, we stored all these files on servers, and when anyone needed a file, they had to reach out to a designated digital asset caddy that could retrieve the right file. This could take hours or days, depending on demand.

DAM is self-service: Everyone who needs files can access them at will. We have a total of 600 users, 50 to 100 of whom use the system daily. None of them needs to request files anymore.

2. Make your brand consistent

How do you know if your team members are using the right digital assets? With a server system, you don’t. If one of your executives has learned that file requests take hours or even days, they will also be tempted to scrape assets from web pages or outdated assets. The results could be a PowerPoint or PDF with low-quality graphics and the old logo.

Our DAM system has protected the consistency of our brand and the quality of our digital assets. Of the 600 users, only a few have uploading privileges. Anyone can download files, but we alone can quickly and conveniently insure that the right files are on the cloud. We know that costly graphics and videos aren’t being shelved in favor of other assets because we can also track who uses the system.

3. Preserve your history

Prestigious, enduring nonprofits have extensive histories. News clips, radio recordings, TV footage, photos, and now web content document our efforts. And we know that in the nonprofit world, a big track record is a big confidence builder. Donors usually prefer to give to organizations that are established, successful, and capable of showing their achievements.

Historical assets help establish this credibility, but they are notoriously hard to store. Indeed, the National Records and Archives Administration estimates that an average recorded CD-R only lasts 5 to 10 years, despite manufacturer’s claims of 25 years. Magnetic media such as audio video tapes have a 10- to 20-year lifespan.

This means that nonprofits need to get CDs, tapes, and perhaps even floppy discs into secure cloud storage with redundancy (i.e., one or more copies in additional server locations). Otherwise, history dies.

Safeguard your history in a DAM system–the time and cost of digitizing this record will save major headaches and disappointment down the road.

4. Repurposing

The digital assets you already have are far more valuable than the assets you don’t yet have–that is, if you can find them. With DAM, we operate on a search first, shoot later basis. All our assets are tagged and keyword searchable so we can immediately determine if we have an image that already fits our purposes. If we don’t, then we can capture and edit additional photos. This way, we save more time and we reallocate resources for major photo shoots.

Our asset development process complements repurposing. Initially, our creative or video teams load raw images and video onto a server that is only accessible to our design team. The server is essentially a warehouse–only after creative services have manufactured the images and footage to perfection do we load them into the DAM system, our internal marketplace for finished products.

If more people use and reuse the finished products, we maximize our current resources.

5. Categorization

It would be nice if marketing and digital teams had the bandwidth to create folders and subfolders for every imaginable type of image–but they don’t. Therefore, one of the biggest payoffs from DAM is categorization.

I have mentioned it above, but let’s dive deeper into the details. Categorization and tagging let asset users conceive and retrieve the way a novelist might tap into his or her own reservoir of ideas. A marketer can think, “I want a photo of a teenage, male, patient interacting with a female nurse,” and filter by those exact tags to find the image–or to determine that it does not yet exist.

DAM categorization lets your team members find the images they know they want instead of the generic photo that is just close enough.

In some nonprofit environments, not everyone is tech-savvy, but that does not mean your digital experts should be solely responsible for the retrieval of branded materials. Yes, have a DAM hero or two that maintains the system, but then save money and time and boost your organization’s reach by letting everyone share in the retrieval and proper use of digital assets.

This guest post was written by Kristy Smith, creative services production specialist at Nationwide Children’s Hospital.

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Wait, What? Lionel Richie Is In My Refrigerator?

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We love when marketers smartly connect with pop icons from the past. But this connection between Tap King and Lionel Richie is one of the most pitch perfect endorsement deals we have ever witnessed.

In a BMF Sydney-created :60, a man peers into his refrigerator in search of something, anything to quench his yearnings but, as is very often the case when one opens the refrigerator, he finds nothing. That is until he begins to hear a piano.

He frantically pulls the contents of the refrigerator out of the way to determine the source of the sound and…BOOM…there’s Lionel Richie cooing his famous hit Hello. The lyrics align perfectly with the emotion we often times feel when we find that perfect bit of comfort food or drink.

The spark of love that ignites between the two is palpable almost to the point of being icky but it never really crosses that line as Richie deftly hands a beer to our eager refrigerator explorer.

Witty. Relevant. A perfect encapsulation of an emotion Tap King knows beer lovers experience when they lay their hands on their favorite beer.

Via

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Molson Rejuvenates ‘I Am Canadian’ With Beer Fridge Stunt

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Ten years after retiring its “I Am Canadian” tagline, Molson has brought the tagline in a 90 second video entitled The Beer Fridge. In the video, we see Refrigerators full of Molson being placed in locales all over the world including Northern France, Brussels, London, Canterbury, Cassel and Belgium.

But, the refrigerators are locked and can only be opened by inserting a Canadian passport. All manner of Canadian pride ensues. A :30 version of the video ran during game six of the Stanley Cup playoffs Monday night.

The campaign was created by Rethink and video was directed by Jonty Toosey of Partners Film.

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Launchpad NYC ‘Ad Darlings’ Get Creative With Their Closets

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Well this isn’t news. Everyday at the Adrants offices, the interns sport the highest of fashion in the form of short skirts (pleated plaid minis always win), Daisy Dukes, midriff-baring crop tops, cleavage-enhancing (not that these top-heavy ladies need it) halter tops and gam-glamorizing high heels of epic proportion.

Seems like Launchpad NYC wants to get in on the action and challenge our interns by launching a blog, Office Outfit Challenge, that highlights the high styles of “5 advertising darlings” in some kind of daily effort to “pull off a fashion magazine miracle.

We will say the ladies are cute but are showing no where near as much skin, leg or cleavage as our interns here today. And as we all know, more skin is better. In fact, every Thursday at Adrants is Thong Thursday. Maybe these Launchpad ladies would like to see how they, ahem stack up, to our bodacious interns in a booty-baring dance off?

Seriously? Really? Can we get back to the serious of the advertising business now? Oh wait, advertising isn’t serious. It’s just an overly pompous, self-centered, style-conscious, award-hoarding business that is far more concerned with form over function. In other words, great job, ladies.

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‘Dumb Ways to Die’ Wins Cannes Lion Integrated Grand Prix

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Well it was pretty clear this was going to happen and it did. “Dumb Ways to Die,” created by McCann for Melbourne Metro Trains Melbourne has won the Canes Lion Integrated Grand Prix, its fifth Grand Prix this week. The work is said to have been the most shared PSA in history and is attributed to reducing train accidents and deaths by 21%.

The integrated campaign included the famed video, radio, print, outdoor and a top ten song on iTunes. Hell, my daughter’s friends are singing it. Now that’s a serious cultural achievement let along an advertising achievement.

In other news out of Cannes tonight, Dove’s Real Beauty Sketches from Ogilvy Sao Paulo won a Titanium Grand Prix, Nike’s Find Your Greatness from W+K Portland and AKQA London won a Titanium, Samsung Life Insurance’s Bridge of Life from Che Worldwide Seoul won a Titanium, Christians + Muslims for Government of Republic of Macedonia from Y&R won a Titanium, Prudential’s Challenge Lab from Droga5 New York won a Titanium, P&G’s Proud Sponsors of Moms from W+K Portland won Integrated Gold, Intel and Toshiba’s The Beauty Inside from Pereira & O’Dell won Branded Content Grand Prix.

AdWeek has a full list of Titanium and Integrated, Film, Film Craft and Branded Content winners here.

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Women Make Up Just 22% of Cannes Lions Jurers

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Hollie Rapello who pens the Why Moms Rule blog took it upon herself to examine female representation on Cannes Lions Juries. Overall, there are just 70 women serving on juries as compared to 248 men, a 22% representation.

Only one jury, Creative Effectiveness, has equal representation with 8 men and 8 woman.

The juries with the least number of women include Mobile with just one women to 12 and both Innovation and Film Craft with just one woman to nine men each.

While women have certainly made inroads in the marketing and advertising space, it would seem this is not fairly represented in jury make up. When upwards of 70% of household spending in controlled by women, according to The Boston Consulting Group, it would seem all that more important to have women included in the judging of work that is developed to reach them.

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Phil the Legend Has No Problem With Erectile Dysfunction

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Released over a month ago with literally no uptake on YouTube, this quirky video campaign for erectile dysfunction pill Dynafil from PharmaDynamics features an awkwardly smarmy Phil the Legend who’s recently got his mojo back after popping a few pills.

Phil, one of those guys who should never be overly confident and should always gracefully shrink into the background, has become overly confident with the ladies after having taken Dynafil. In the videos. we are treated to Phil’s cringe-worthy antics such as an attempt at witty reparte with a video store clerk and overly obsequious flirtation with a babe on the beach all while wearing shirts that are too tight and shorts that are too short.

We always wonder about the casting portions of these campaigns. After all, what would it be like to be told you are being cast because you are overweight, awkward looking and carry the natural smarm of a 70’s porn star?

Whatever the case may be, this dud’s got it in spades. The campaign was created by Saatchi & Saatchi Cape Twon

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Leaky Tampon Causes Shark Attack

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OK, right up front let’s be clear — this is not a real ad. However, the message it sends — sharks are attracted to blood — is well demonstrated. The “ad” appears in the very rotten film Movie 43 and is for Tampax. It urges woman to make sure their tampons don’t leatkso, ya know, they don’t get sniffed out by a giant shark that will tear you a part with spooftastic, Jaws-style hilarity.

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